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    • HEMISPHERES
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Craig Dongoski Craig Dongoski
  • Home
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    • HEMISPHERES
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HEMISPHERES

VIEW PROJECT

BODIES OF WORK

 HEMISPHERES

HEMISPHERES

March 11, 2016

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  1
 Anatomic

Anatomic

March 11, 2016

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  0
 China

China

March 11, 2016

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  0
 Durations

Durations

March 11, 2016

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  0
 Paivascapes #1

Paivascapes #1

March 11, 2016

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  0
 The Primates Notebook

The Primates Notebook

March 11, 2016

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  0
 Spelling the Wind

Spelling the Wind

June 3, 2016

Sept 1-30, 2016

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  1

BODIES OF WORK

 HEMISPHERES

HEMISPHERES

March 11, 2016

Read More
  1
 Anatomic

Anatomic

March 11, 2016

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  0
 China

China

March 11, 2016

Read More
  0
 Durations

Durations

March 11, 2016

Read More
  0
 Paivascapes #1

Paivascapes #1

March 11, 2016

Read More
  0
 The Primates Notebook

The Primates Notebook

March 11, 2016

Read More
  0
 Spelling the Wind

Spelling the Wind

June 3, 2016

Sept 1-30, 2016

Read More
  1

BODIES OF WORK

 HEMISPHERES

HEMISPHERES

March 11, 2016

Read More
  1
 Anatomic

Anatomic

March 11, 2016

Read More
  0
 China

China

March 11, 2016

Read More
  0
 Durations

Durations

March 11, 2016

Read More
  0
 Paivascapes #1

Paivascapes #1

March 11, 2016

Read More
  0
 The Primates Notebook

The Primates Notebook

March 11, 2016

Read More
  0
 Spelling the Wind

Spelling the Wind

June 3, 2016

Sept 1-30, 2016

Read More
  1

BODIES OF WORK

 HEMISPHERES

HEMISPHERES

March 11, 2016

Read More
  1
 Anatomic

Anatomic

March 11, 2016

Read More
  0
 China

China

March 11, 2016

Read More
  0
 Durations

Durations

March 11, 2016

Read More
  0
 Paivascapes #1

Paivascapes #1

March 11, 2016

Read More
  0
 The Primates Notebook

The Primates Notebook

March 11, 2016

Read More
  0
 Spelling the Wind

Spelling the Wind

June 3, 2016

Sept 1-30, 2016

Read More
  1

CURRENT & UPCOMING EVENTS

  • Master Class in Art & Technology
    Master Class in Art & Technology
  • Cinnabar Gallery Reception
    Cinnabar Gallery Reception
  • Cairotronica
    Cairotronica

"The work intends to produce mutation within a continued evolution of my processs. The drawings are produced very slowly. They connect themselves visually and conceptually to assimilating with geological time and sound waves. I have inverted my method, in that rather than responding to a sound that yields a pictorial result, I am responding to a visual [line] that yields a spectrographic result. I also see these works as internal expressions. The slow and obsessive nature of the process literally places me within the work at a microscopic [microphonic] vantage. The drawings are built by repeatedly re-interpreting the previous line drawn and are intended to be translated into sound by way of considering themas Graphic Scores.

I draw TIME because I am interested in form outside of control, outside of politics and outside of economics.

I draw VOICE because I am curious about the potential to confound Artificial Intelligence and challenge the bureaucracy of the mind."

-- Craig Dongoski

Contact
  • Craig Dongoski
  • (678) 612-1922
  • cdongoski@gsu.edu
  • DrawingVoices.com
Drawing Voices
Copyright All Rights Reserved © 2016
  • Home
  • Bodies of Work
    • HEMISPHERES
    • Anatomic
    • The Primates Notebook
    • Paivascapes #1
    • Durations
    • China
  • Current Events
  • About
  • Contact

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