Login
Forget?

Forget your password?
Remember Password?
  • Home
  • Bodies of Work
    • HEMISPHERES
    • Anatomic
    • The Primates Notebook
    • Paivascapes #1
    • Durations
    • China
  • Current Events
  • About
  • Contact
Craig Dongoski Craig Dongoski
  • Home
  • Bodies of Work
    • HEMISPHERES
    • Anatomic
    • The Primates Notebook
    • Paivascapes #1
    • Durations
    • China
  • Current Events
  • About
  • Contact

Anatomic

By Craig
March 11, 2016

Information about the Anatomic project…

 
 
 
 
 
 
 
 
  • print page
  • facebook icon
  • twitter icon

"The work intends to produce mutation within a continued evolution of my processs. The drawings are produced very slowly. They connect themselves visually and conceptually to assimilating with geological time and sound waves. I have inverted my method, in that rather than responding to a sound that yields a pictorial result, I am responding to a visual [line] that yields a spectrographic result. I also see these works as internal expressions. The slow and obsessive nature of the process literally places me within the work at a microscopic [microphonic] vantage. The drawings are built by repeatedly re-interpreting the previous line drawn and are intended to be translated into sound by way of considering themas Graphic Scores.

I draw TIME because I am interested in form outside of control, outside of politics and outside of economics.

I draw VOICE because I am curious about the potential to confound Artificial Intelligence and challenge the bureaucracy of the mind."

-- Craig Dongoski

Contact
  • Craig Dongoski
  • (678) 612-1922
  • cdongoski@gsu.edu
  • DrawingVoices.com
Drawing Voices
Copyright All Rights Reserved © 2016
  • Home
  • Bodies of Work
    • HEMISPHERES
    • Anatomic
    • The Primates Notebook
    • Paivascapes #1
    • Durations
    • China
  • Current Events
  • About
  • Contact

Start typing and press Enter to search